Shop
Showing 76–90 of 461 resultsSorted by average rating
-
Used Products
Audient iD4 MKII Usb Audio Interface (used)
Key Specifications & Features
-
2 in / 2 out USB‑C (bus‑powered) interface.
-
24‑bit / 96 kHz AD/DA conversion.
-
1 Class‑A microphone preamp (XLR / ¼” combo) with up to 58 dB gain and <0.002% THD+N.
-
1 JFET instrument (Hi‑Z) input.
-
Stereo line outputs (¼” TRS) for monitors.
-
Dual headphone outputs: one ¼”, one 3.5 mm.
-
The big volume knob can be used as a virtual scroll wheel in your DAW or software.
-
Monitor mix / pan features to blend direct input with playback (zero‑latency monitoring).
-
Audio Loopback (useful for content creation / streaming) is introduced in MKII.
-
True phantom power (48 V) for condenser mics.
-
All‑metal chassis, rugged build
SKU: n/a -
-
Studio Bundels
M-Audio M-Track Duo HD Producer Pack
Highlights & Strengths
These preamps deliver clean, transparent gain, suitable for condenser and dynamic mics.
Each input can accept mic, instrument (guitar, bass), or line level, giving flexibility in how you record.
Needed for condenser microphones, this is a must for many recording setups.
You can monitor input signals with no latency or choose to listen via the USB output from your DAW.
You can set headphone level separately from speaker outputs, giving more flexibility in monitoring.
Works with macOS, Windows, iOS, and Android via USB‑C cable, making it versatile across devices.
SKU: n/a -
Used Products
JBL Control 30 Speakers (Pair) 250W
Key Features
-
Three‑way design (LF woofer + coaxial midrange + HF compression driver) for good coverage across lows, mids, and highs.
-
Wide frequency response: from about 38 Hz up to 17 kHz (‑10 dB), with ±3 dB range approximately 40 Hz to 16 kHz. Good for both music and spoken word.
-
High power handling: 500 Watts program power, 250 Watts for IEC pink noise. Can get loud.
-
Transformer built‑in: 150 W multi‑tap transformer for 70 V / 100 V lines, with a “thru” position for 4Ω usage. That gives flexibility in how it’s powered / used in distributed speaker systems.
-
High output capability: Max SPL around 123 dB (short‑term) and around 117 dB long term.
-
Mounting & installation: Comes with JBL’s InvisiBall® mounting hardware, which allows aiming in both vertical and horizontal orientations, theft deterrence, optional brackets, etc.
SKU: n/a -
-
Interface
M-Audio M-Track 8X4M USB Audio Interface
Top Features
-
8 inputs / 4 outputs — lots of I/O flexibility: you get 4 mic/line combo XLR+¼” inputs, 2 dedicated line inputs, and 2 instrument (Hi‑Z) inputs.
-
Crystal Preamps™ — low‑noise, transparent mic preamps. Good quality input stage.
-
High resolution conversion — 24‑bit / 192 kHz audio, so you get good dynamic range and fidelity.
-
Zero‑latency (or very low) monitoring — comes with a USB/direct mix knob so you can blend input vs playback to avoid delay issues while recording.
-
Dual headphone outputs with independent level & source controls — nice when more than one person needs to monitor separately.
-
Robust build & control layout — metal chassis, large monitor volume knob, thoughtful ergonomics.
-
Assignment of outputs / flexible routing — 2 stereo main monitor outs + 2 aux / assignable outputs; MIDI I/O; you can connect external gear.
-
Software bundle included — comes with DAWs like Pro Tools First, Ableton Live Lite; FX & virtual instruments; plugins etc. Helps you get started without buying extra software immediately.
SKU: n/a -
-
Microphone
Shure SM7B Cardioid Dynamic Microphone
Key Strengths
- The SM7B captures sound very cleanly across a wide spectrum (approx. 50 Hz to 20 kHz).
- It has built‑in switches: a bass roll‑off (low cut) and a mid‑range “presence” boost. These allow you to tailor the sound right at the mic.
- Also has strong shielding against electromagnetic hum (from monitors, neon lights, etc.). This helps reduce unwanted noise in studio/podcast setups.
- It includes a large internal pop filter and also ships with a thicker “close‑talk” windscreen (A7WS) for very near speech. These help reduce plosive bursts (“P,” “B,” etc.) and breath noise.
- The SM7B uses an internal “air suspension” shock isolation system. Vibration, handling noise, desk movement, etc., are reduced so you get a cleaner signal.
- Built with tough materials. It has a gutsy metal grille, robust chassis, and good protections for the capsule. It’s meant to last through heavy use.
- Works well in many settings: voice‑overs, singing, podcasting, broadcasting, etc. Because of its tonal controls and low ambient noise pickup, it adapts to different voices and recording environments.
SKU: n/a -
Live Streaming
V8 Sound Card for Live Streaming
Key Strengths
- Knobs/sliders for mic volume, echo / reverb, bass & treble adjustments.
- Controls for music/accompaniment input, monitoring/record output, etc.
- Works with PCs / laptops, phones (Android via OTG), sometimes with adapters.
- Built‑in rechargeable battery in many models, allowing hours of use without external power.
- Compact size (relatively) and metal housing in some variants.
SKU: n/a -
Pro Video
Rode RODECaster Video Switcher Interface
Key Features & Highlights
- It has 4 HDMI inputs for video sources (cameras, etc.), plus 2 USB‑C ports for adding webcams or compatible USB video sources.
- You can set up seven customizable scenes that combine different video sources/media/graphics etc., then switch between them via physical buttons.
- Comes with two Neutrik combo inputs (XLR + TRS) with RØDE’s “Revolution Preamps” — high gain, low noise.
- Two built‑in wireless receivers for RØDE Series IV wireless mics (Wireless PRO, Wireless GO II, etc.).
- Powerful audio processing via APHEX and built‑in effects: EQ, compressor, noise gate, high‑pass filter, de‑esser, plus Aphex signature effects (Aural Exciter™, Big Bottom™, Compellor™) for polishing sound.
- Supports streaming directly to platforms via Wi-Fi, Ethernet, or via USB.
- Large touchscreen + physical encoder for menus, transitions etc.
- Dedicated buttons for scene switching, transitions, overlays, chroma key etc. so you don’t have to dive deep into menus mid‑show.
- Chroma‑key support for green screen / blue screen background replacement.
- Multiview / preview/program outputs via HDMI to external monitors so you can see all sources and layout.
- Up to nine audio sources simultaneously (combo inputs, wireless, USB etc.) with flexible mixing/routing.
SKU: n/a -
Interface
Apogee jam Guitar Input for iPad, iPhone & Mac
Highlights
- The original JAM is 24‑bit (usually at 44.1 kHz).
- Instrument (Hi‑Z) input optimized for guitar, bass, and other electric/acoustic instruments with pickups.
- Plug‑and‑play: no external power required; gets power from the connected device (iPad / iPhone / Mac / PC)
- LED indicators: multicolor status LED shows connection status + input level.
- Control knob for input gain, convenient for adjusting levels without the software.
- Stereo output (for headphones / powered speakers) in JAM+ so you can monitor in stereo.
- Works with iOS (Lightning / 30‑pin / adapters) and Mac; some models work with Windows.
- Works with Core Audio apps (GarageBand, Logic, etc.) and usually any app / DAW that supports standard audio input.
SKU: n/a -
Interface
Behringer U-PHORIA UMC204HD USB Audio Interface
Highlights & Key Features
- Supports up to 24‑bit / 192 kHz A/D & D/A conversion, which is more than enough for most studio, vocal, instrument, and video work.
- Comes with two MIDAS‑designed preamps that are reasonably clean and capable, plus +48 V phantom power so you can use condenser microphones.
- You get 2 combo XLR/TRS inputs (mic/line/instrument), and 4 outputs (balanced TRS for monitors + stereo RCA outputs), plus headphone out. This allows more flexible monitoring setups (e.g. multiple speakers, cueing, etc.).
- Each channel has insert jacks for integrating external effects (compressor, EQ, etc.). Useful if you have outboard gear.
- Has a mix (blend) knob for input vs playback so you can monitor with little or no delay. That’s very helpful when recording vocals or instruments to avoid distraction from hearing echoes/latency.
- There is a Monitor A/B selection (switch), allowing headphone output to monitor either outputs 1‑2 (main) or 3‑4 (aux). Handy for DJ‑style cueing or having different monitor mixes.
- Powered via USB. Makes setup simpler and better for mobile/compact setups.
- Has 5‑pin DIN MIDI In and Out, which is helpful if you use external keyboards, controllers, or other MIDI gear.
SKU: n/a -
Interface
Zoom UAC-8 USB Audio Interface
Key Features
- USB 3.0 SuperSpeed interface (USB Type-B)
- 8 combo XLR/TRS analog inputs (mic/line level)
- 8 balanced TRS line outputs
- 2 balanced TRS monitor outputs
- 2 front-panel headphone outputs (1/4″ TRS)
- +48V switchable Phantom Power on inputs 1–8
- Direct connection for electric guitar or bass on inputs 1 and 2
- 2 x S/PDIF IN/OUT (24-bit/192 kHz)
- ADAT Optical IN/OUT: 2 IN / 2 OUT at 192/176.4 kHz (S/MUX4 compatible), 4 IN / 4 OUT at 96/88.2 kHz (S/MUX compatible), 8 IN / 8 OUT at 48/44.1 kHz
- Word Clock IN/OUT
- MIDI IN/OUT
- Operates as an 8-channel mic preamp and A/D/D/A converter without a computer
- 12V DC at 2A (included)
- 6.2 x 19 x 1.8 inches (15.8 x 48.3 x 4.6 cm)
- Weight is 4.9 lb (2.2 kg)
SKU: n/a -
Interface
Zoom TAC-2 Thunderbolt Audio Interface for Mac
Highlights & Strengths
- The TAC‑2 uses Thunderbolt instead of USB. That lets it achieve much lower latency, more stable data transfer, and better performance especially with heavier workloads.
- It supports up to 24‑bit / 192 kHz recording & playback. Plus it uses 4× upsampling in both the analog‑to‑digital (A/D) and digital‑to‑analog (D/A) stages. That tends to reduce aliasing and improve fidelity.
Two inputs via combo XLR/TRS jacks (mic or line) with +48V phantom power, which is useful for condenser mics.
A front Hi‑Z input so you can plug in electric guitar / bass directly without needing a separate preamp.
- Balanced TRS outputs to connect to studio monitors, and a stereo headphone jack with independent volume control. LED meters let you monitor input/output/headphone levels.
- The mic preamps are from Burr‑Brown with up to +60 dB gain, which is decent headroom for many mics. The interface also boasts a high dynamic range (A/D ~ 118 dB, D/A ~ 120 dB in typical IHF‑A measurement) meaning less noise and better clarity.
- You don’t need an external power supply—power is delivered via the Thunderbolt port. The unit is rugged yet portable.
SKU: n/a -
Interface
Behringer U-CONTROL UCA222 USB Digital Audio Interface
Key Features
- Analog I/O2 stereo RCA line inputs; 2 stereo RCA line outputs.
- Headphone Out3.5 mm (1/8″) headphone jack with level/volume control.
- Digital I/OOne optical S/PDIF output (TOSLINK) to send digital audio out.
- USB Interface / PowerUSB 1.1, class‑compliant (i.e. no driver required on many systems). Powered from USB (bus‑powered)
- Frequency ResponseRoughly 10 Hz to 20 kHz at 44.1 kHz; ≈10 Hz to 22 kHz at 48 kHz.
- Input impedance ~27 kΩ for RCA line inputs; output impedance ~400 Ω. THD ~0.05% at ‑10 dBV, 1 kHz. Signal‑to‑noise ratio around 89 dB (A‑weighted) for input.
SKU: n/a -
Interface
Behringer UPHONO UFO202 USB Audio Interface
Key Features
- 2 in / 2 out (stereo) analog; input via RCA (phono/line switchable), output via RCA + headphone (3.5 mm)
- Sampling rate / Bit Depth16‑bit PCM, up to 48 kHz
- Frequency response~10 Hz to 20 kHz ±1 dB at 44.1 kHz; ~10 Hz to 22 kHz ±1 dB at 48 kHz
- Signal‑to‑Noise / Dynamic Range~89 dB A‑weighted for input; around 96 dB for output
- Input impedance (RCA)~27 kΩ unbalanced
- Output impedance~400 Ω (RCA line)
SKU: n/a -
Interface
Behringer UCA202 USB Audio Interface
Key Features
- 2 RCA line inputs (unbalanced), 2 RCA line outputs (unbalanced)
- TOSLINK Optical S/PDIF output (some sources describe it as “in or out”)
- 3.5 mm TRS jack with volume control
- USB‑powered (bus power), comes with fixed USB cable, class‑compliant (no driver needed on many systems)
- Max Sample Rate & Bit Depth16‑bit, up to 48 kHz
- Frequency Response~10 Hz to 20 kHz (±1 dB) at 44.1 kHz; up to ~22 kHz at 48 kHz sample rate
- Input Impedance ~27 kΩ; Output Impedance ~400 Ω; Max input/output level ~ +2 dBV
- Signal‑to‑Noise Ratio (SNR) & THDA/D: ~89 dB SNR; THD around 0.05% (at −10 dBV, 1 kHz
- Very compact; ~100 g; small footprint so very portable.
SKU: n/a -
Interface
Focusrite Clarett+ 2Pre Desktop 10×4 USB Type-C Audio/MIDI Interface
Key Strengths
- The Clarett+ preamps offer lots of headroom, low distortion, and low noise. The “Air” mode (analogue circuit, with impedance switching) emulates classic ISA‑110 preamp character — adds presence, clarity, especially in vocals and guitar.
- Supports up to 24‑bit / 192 kHz sample rates. Very good dynamic range (≈ 124 dB) and very low distortion. This helps capture and reproduce audio very cleanly.
- 2 analog inputs (mic/line/instrument) in front.
- Four balanced analog outputs for monitoring/mixing.
- ADAT optical input for digitally adding 8 more mic pre channels via a compatible expander.
- MIDI In/Out too.
- The unit has JFET instrument inputs to preserve the character of guitars, basses etc., similar to plugging into a guitar amp. Useful for direct input (DI) recording.
- Strong, flat-response headphone output, with good power. Low latency performance so you can monitor while using effects/plugins without major delay issues.
- USB‑C connectivity; can be bus‑powered (with a 15 W USB‑C port) for portability. Metal construction.
SKU: n/a
