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Showing 46–60 of 406 resultsSorted by average rating
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Interface
Native Instruments KOMPLETE AUDIO 2 USB Audio Interface
Key Features
- Supports up to 24‑bit / 192 kHz sample rate. Good fidelity for recording vocals, instruments, overdubs, etc.
- Two XLR‑¼‑inch combo mic/line/instrument inputs (both with gain control + line/instrument switching). Allows you to record two mics simultaneously, or mic + guitar, etc.
- Provides phantom power for both inputs for using condenser microphones.
- Balanced TRS outputs for monitors, plus front headphone out with its own volume control. Helps with clean signal routing and good monitoring.
- Has a “mix” or blend knob to allow zero‑latency monitoring (blend input + computer playback). Useful when tracking to avoid lag.
- Dual 5‑segment LED input meters help visually monitor levels. Large output level knob. Nice build and usability touches.
- No external power supply required; gets power via USB. Easier for mobile setups or to move around.
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Interface
Native Instruments KOMPLETE AUDIO 1 USB Audio Interface
Highlights
- Support up to 24‑bit / 192 kHz A/D and D/A conversion. Good quality for vocals, instruments, podcasts, etc.
- One XLR input for microphones (with +48V phantom power) so you can use condenser mics.
- One ¼‑inch input that can handle line signals or instrument (Hi‑Z) inputs — guitars, etc.
- Stereo RCA monitor outputs for hooking up to hi‑fi speakers or monitors.
- ¼‑inch headphone output with its own level control.
- Bus powered over USB 2.0, no external power needed.
- Small form factor: ~ 140 × 117.5 × 52 mm and around 360 g.
- Separate gain knobs for each input.
- Dual 5‐segment LED input meters help you set levels better.
- Big volume knob for output makes adjusting monitoring levels easier.
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Interface
Native Instruments KOMPLETE 6 Usb Audio Interface
Key Highlights
- Includes a large collection of sample libraries (in the tens of gigabytes), presets, instruments, etc. Great variety: synths, drums, pads, sound effects, orchestral, electronic, etc.
- Some of the big names in Komplete 6 are:
- Kontakt 4 (sampler)
- Absynth 5 (synth)
- Massive (synth)
- Battery 3 (drums / drum sampler)
- FM8, Reaktor 5, Guitar Rig 4 Pro
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Interface
Zoom UAC-2 USB Audio Interface
Highlights
- Supports up to 24‑bit / 192 kHz recording and playback. zoomcorp.com+2zoom-europe.com+2
- USB 3.0 enables very low latency performance—Zoom claims ~ 2.2 ms round‑trip at 96 kHz / 32‑samples. zoom.co.jp+2zoomcorp.com+2
- Works also on USB 2.0 ports (though possibly with some trade‑offs) so more versatile. zoom.co.jp+2zoomcorp.com+2
Robust, Versatile I/O - Two front combo XLR/TRS inputs for mic or line level. zoomcorp.com+1
• Hi‑Z input available (for guitar / bass) to connect instruments directly. zoomcorp.com+2zoom-europe.com+2
• Switchable phantom power (+48 V) for condenser mics. zoom.co.jp+1
• Balanced TRS outputs and a dedicated headphone out with its own volume control. zoom.co.jp+2zoom-europe.com+2
• Compact and bus‑powered via USB 3.0 (no need for external power supply in many use cases). zoom.co.jp+1
• Sturdy / roadworthy metal housing. Good for live usage or mobile setups. zoom.co.jp+1 - Includes classic 5‑pin DIN MIDI input and output, enabling connection to external instruments / keyboards / controllers. This broadens usefulness for hybrid setups. zoom.co.jp+2zoomcorp.com+2
- Compatible with major DAWs (Logic, Pro Tools, Ableton etc.), works also with Mac, Windows; can also be used with iPad (with adapter).
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Interface
Steinberg UR22C 2×2 USB Audio Interface
Key Features
- It supports up to 32‑bit / 192 kHz sampling. That gives a lot of headroom and detail, especially useful for capturing subtle nuances in instruments or vocals.
- It uses SuperSpeed USB 3.0 / USB‑C connection for fast, stable transfers. Also works with Mac, Windows, and iOS.
- Two high quality mic preamps (one input also has a Hi‑Z switch for instruments) with phantom power. Clean sound, good headroom.
- Metal chassis, compact design make it durable and easy to move. Ideal for home studio or mobile recording.
- Two combo XLR/TRS inputs (one has Hi‑Z for guitar/instrument input), two balanced line outputs, headphone output, MIDI in/out. Supports mics, line sources, instruments.
- Useful for streaming / podcasting — you can combine playback from your computer (DAW etc.) with live inputs.
SKU: n/a -
Home Theater
Pioneer X-RSM410DVH DVD Mini System
Key Features
- Output power (marketing number): 4000W PMPO
- Actual continuous (RMS) power:
- Front speakers: ~ 80W + 80W at 6 Ω.
- Subwoofer: ~ 150W at 3 Ω.
- Multi‑source playback: DVD / CD / Tuner / USB / AUX.
- HDMI output with 1080p upscaling — converts lower‑res video (e.g. 480i/p) to full HD via HDMI.
- Built‑in Dolby Digital decoding.
- Karaoke support: mic input + echo control + mic volume control.
- Extra Bass” mode (“X‑Bass”) — boosts the bass for stronger low‑end, good for party / club style sound.
- USB playback including audio (MP3), video (DivX), and photo slideshow (JPEG) via USB.
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Studio Bundels
Steinberg UR22Cn Studio Recording Pack
Highlights
- Up to 192 kHz sample rate, 32‑bit integer conversion. Means good fidelity, headroom, and detail.
- Two Class‑A D‑PRE mic preamps. These are known for transparent amplification, low noise, nice dynamics.
- Phantom power on both inputs so you can use condenser mics.
- Each input is a combo XLR / ¼‑inch Jack. Input 2 has Hi‑Z mode (for guitars / bass direct) so you don’t need an external DI box.
- A “Monitor Mix” knob / control so you can balance direct input vs playback to avoid latency issues while recording.
- Comes with ST‑M01 condenser microphone, decent entry condenser for vocals or acoustic instruments.
- Comes with ST‑H01 studio headphones for monitoring.
- Includes cable, mic mount/XLR cable etc. — so you’re more “plug‑and‑play” out of the box.
- USB 3.0 / USB‑C connection. Good bandwidth, lower latency.
- Compatible with Windows, macOS, and iOS (iPad). Very useful for mobile / hybrid setups.
- MIDI In/Out ports (5‑pin) also present. Useful if using external MIDI gear.
- Rugged / solid desktop build; metal housing.
- Bus-powered over USB‑C when using compatible ports (USB 3.0).
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Interface
Universal Audio Apollo Twin X DUO Thunderbolt 3 Audio Interface
The Apollo Twin X DUO is a high‑performance desktop interface from UA, sitting between the Solo and QUAD in terms of DSP power. “DUO” means it has two SHARC DSP cores (UAD‑2 DUO) for real‑time plug‑ins. It uses Thunderbolt 3 for connection (so very low latency) and features Unison mic preamps, high‑quality AD/DA conversion, and a versatile set of I/O.
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Interface
Universal Audio Apollo Twin X QUAD Thunderbolt 3 Desktop Audio Interface
Higlights
- 2 x combo XLR‑1/4″ inputs (mic/line) with Unison preamps.1 x Hi‑Z instrument input (front panel)
2 monitor outputs (TRS)
2 additional line outputs (ALT / line‑outs)
1 headphone output - ADAT/TOSLINK optical input (up to 8 additional channels via ADAT)
S/PDIF shared with optical input in some modes - Up to 24‑bit / 192 kHz conversion. High dynamic range (nominally ~129 dB on D/A in some listings) and low distortion/noise.
- Mac & Windows (with Thunderbolt 3). Gen 2 hardware.
SKU: n/a - 2 x combo XLR‑1/4″ inputs (mic/line) with Unison preamps.1 x Hi‑Z instrument input (front panel)
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Interface
Universal Audio Apollo Solo 2×4 Thunderbolt 3 Audio Interface
Key Features
- 2 combination XLR‑1/4″ inputs (mic / line) with Unison mic preamps
- 1 instrument (Hi‑Z) input
- 2 line outputs (for monitors)
- Headphone output
- Total analog I/O is “2 in / 4 out” (counts instrument / headphone) depending on how you define outputs.
- 24‑bit / up to 192 kHz resolution. Excellent fidelity.
- Needs a Thunderbolt 3 port on your computer. Because it’s TB3, latency is very low; bandwidth is high.
- It draws power from the Thunderbolt 3 connection (no external power supply needed).
- Metal body, rugged and built for studio/desktop use.
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Interface
Universal Audio Apollo Solo 2×4 USB Audio Interface
The Apollo Solo 2×4 is a high‑end desktop audio interface from Universal Audio. It offers top‑tier analog‑to‑digital / digital‑to‑analog conversion, built‑in DSP (UAD‑2) for running UA’s premium plugins in real time, and “Unison” preamps to model classic analog gear at the input stage. It comes often in a “Heritage Edition” bundle with extra plugins.
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Interface
Lewitt Connect 2 USB Audio Interface
Highlights
- Automatically analyzes your input (mic or instrument) and suggests/sets gain, EQ, compressor etc., so you get to a good “usable sound” fast.
- Zero‑latency effects like compressor, denoiser, clipguard, low‑cut filter. Useful for streaming, live monitoring without needing extra plugins.
- Mic input gives up to ~ 72 dB gain, with low self‑noise (~ −129 dBV A‑weighted) and very low total harmonic distortion (~ 0.001%).
- Dedicated input for guitars etc., with strong dynamic range (~121 dB) and enhanced hum immunity via differential input / ground‑loopbreaker.
- Two speaker outputs (balanced, 6.3 mm)
- Two headphone outs (3.5 mm + 6.3 mm)
- Zero‑Ohm headphone output with high‑impedance mode for studio headphones.
- Touch wheel to control gains, volumes etc.
- LED metering, and ability to customise LED colours/brightness.
- Mute buttons, custom button for workflow shortcuts.
- Sample rates up to 96 kHz / 24‑bit.
- Works with Mac, Windows, iOS.
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Microphone
Samson G-Track Pro USB Microphone Built-In Audio Interface
The Samson G‑Track Pro is a hybrid device: it’s a USB mic with a built‑in audio interface + instrument input + monitoring/mixer functions. It aims to let you record vocals + instruments (or streaming/podcasts) with one compact setup.
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