Interface
Showing 1–15 of 82 resultsSorted by average rating
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Interface
Rodecaster Pro II Podcast Production Console
Stand‑Out Features
- The 4 inputs are Neutrik combo XLR / ¼″ jack, so they handle mics and instruments/line‑level sources.
- 9 channels total: 6 physical faders + 3 virtual faders, all assignable.
- Any channel can be assigned to analog input, USB, Bluetooth, or even triggered via the SMART pads.
- 8 fully programmable pads with bank switching → total of up to 64 actions.
- Dual USB‑C interfaces: can connect two computers or mobile devices simultaneously.
- Bluetooth (input/output), WiFi, Ethernet.
- 4 headphone outputs so multiple hosts/guests can monitor separately.
- Multitrack recording (each input/selected channel separately) or stereo, to micro‑SD, USB storage, or to computer.
- 24‑bit / 48 kHz resolution.
- Large 5.5‑inch color touchscreen with haptic feedback and rotary encoder.
- Customizable mixer with RGB color coding (makes it easier to see which fader/pad is what at a glance).
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Interface
M-Audio M-Track 8X4M USB Audio Interface
Top Features
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8 inputs / 4 outputs — lots of I/O flexibility: you get 4 mic/line combo XLR+¼” inputs, 2 dedicated line inputs, and 2 instrument (Hi‑Z) inputs.
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Crystal Preamps™ — low‑noise, transparent mic preamps. Good quality input stage.
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High resolution conversion — 24‑bit / 192 kHz audio, so you get good dynamic range and fidelity.
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Zero‑latency (or very low) monitoring — comes with a USB/direct mix knob so you can blend input vs playback to avoid delay issues while recording.
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Dual headphone outputs with independent level & source controls — nice when more than one person needs to monitor separately.
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Robust build & control layout — metal chassis, large monitor volume knob, thoughtful ergonomics.
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Assignment of outputs / flexible routing — 2 stereo main monitor outs + 2 aux / assignable outputs; MIDI I/O; you can connect external gear.
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Software bundle included — comes with DAWs like Pro Tools First, Ableton Live Lite; FX & virtual instruments; plugins etc. Helps you get started without buying extra software immediately.
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Interface
Apogee jam Guitar Input for iPad, iPhone & Mac
Highlights
- The original JAM is 24‑bit (usually at 44.1 kHz).
- Instrument (Hi‑Z) input optimized for guitar, bass, and other electric/acoustic instruments with pickups.
- Plug‑and‑play: no external power required; gets power from the connected device (iPad / iPhone / Mac / PC)
- LED indicators: multicolor status LED shows connection status + input level.
- Control knob for input gain, convenient for adjusting levels without the software.
- Stereo output (for headphones / powered speakers) in JAM+ so you can monitor in stereo.
- Works with iOS (Lightning / 30‑pin / adapters) and Mac; some models work with Windows.
- Works with Core Audio apps (GarageBand, Logic, etc.) and usually any app / DAW that supports standard audio input.
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Interface
Behringer U-PHORIA UMC204HD USB Audio Interface
Highlights & Key Features
- Supports up to 24‑bit / 192 kHz A/D & D/A conversion, which is more than enough for most studio, vocal, instrument, and video work.
- Comes with two MIDAS‑designed preamps that are reasonably clean and capable, plus +48 V phantom power so you can use condenser microphones.
- You get 2 combo XLR/TRS inputs (mic/line/instrument), and 4 outputs (balanced TRS for monitors + stereo RCA outputs), plus headphone out. This allows more flexible monitoring setups (e.g. multiple speakers, cueing, etc.).
- Each channel has insert jacks for integrating external effects (compressor, EQ, etc.). Useful if you have outboard gear.
- Has a mix (blend) knob for input vs playback so you can monitor with little or no delay. That’s very helpful when recording vocals or instruments to avoid distraction from hearing echoes/latency.
- There is a Monitor A/B selection (switch), allowing headphone output to monitor either outputs 1‑2 (main) or 3‑4 (aux). Handy for DJ‑style cueing or having different monitor mixes.
- Powered via USB. Makes setup simpler and better for mobile/compact setups.
- Has 5‑pin DIN MIDI In and Out, which is helpful if you use external keyboards, controllers, or other MIDI gear.
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Interface
Zoom UAC-8 USB Audio Interface
Key Features
- USB 3.0 SuperSpeed interface (USB Type-B)
- 8 combo XLR/TRS analog inputs (mic/line level)
- 8 balanced TRS line outputs
- 2 balanced TRS monitor outputs
- 2 front-panel headphone outputs (1/4″ TRS)
- +48V switchable Phantom Power on inputs 1–8
- Direct connection for electric guitar or bass on inputs 1 and 2
- 2 x S/PDIF IN/OUT (24-bit/192 kHz)
- ADAT Optical IN/OUT: 2 IN / 2 OUT at 192/176.4 kHz (S/MUX4 compatible), 4 IN / 4 OUT at 96/88.2 kHz (S/MUX compatible), 8 IN / 8 OUT at 48/44.1 kHz
- Word Clock IN/OUT
- MIDI IN/OUT
- Operates as an 8-channel mic preamp and A/D/D/A converter without a computer
- 12V DC at 2A (included)
- 6.2 x 19 x 1.8 inches (15.8 x 48.3 x 4.6 cm)
- Weight is 4.9 lb (2.2 kg)
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Interface
Zoom TAC-2 Thunderbolt Audio Interface for Mac
Highlights & Strengths
- The TAC‑2 uses Thunderbolt instead of USB. That lets it achieve much lower latency, more stable data transfer, and better performance especially with heavier workloads.
- It supports up to 24‑bit / 192 kHz recording & playback. Plus it uses 4× upsampling in both the analog‑to‑digital (A/D) and digital‑to‑analog (D/A) stages. That tends to reduce aliasing and improve fidelity.
Two inputs via combo XLR/TRS jacks (mic or line) with +48V phantom power, which is useful for condenser mics.
A front Hi‑Z input so you can plug in electric guitar / bass directly without needing a separate preamp.
- Balanced TRS outputs to connect to studio monitors, and a stereo headphone jack with independent volume control. LED meters let you monitor input/output/headphone levels.
- The mic preamps are from Burr‑Brown with up to +60 dB gain, which is decent headroom for many mics. The interface also boasts a high dynamic range (A/D ~ 118 dB, D/A ~ 120 dB in typical IHF‑A measurement) meaning less noise and better clarity.
- You don’t need an external power supply—power is delivered via the Thunderbolt port. The unit is rugged yet portable.
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Interface
Behringer U-CONTROL UCA222 USB Digital Audio Interface
Key Features
- Analog I/O2 stereo RCA line inputs; 2 stereo RCA line outputs.
- Headphone Out3.5 mm (1/8″) headphone jack with level/volume control.
- Digital I/OOne optical S/PDIF output (TOSLINK) to send digital audio out.
- USB Interface / PowerUSB 1.1, class‑compliant (i.e. no driver required on many systems). Powered from USB (bus‑powered)
- Frequency ResponseRoughly 10 Hz to 20 kHz at 44.1 kHz; ≈10 Hz to 22 kHz at 48 kHz.
- Input impedance ~27 kΩ for RCA line inputs; output impedance ~400 Ω. THD ~0.05% at ‑10 dBV, 1 kHz. Signal‑to‑noise ratio around 89 dB (A‑weighted) for input.
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Interface
Behringer UPHONO UFO202 USB Audio Interface
Key Features
- 2 in / 2 out (stereo) analog; input via RCA (phono/line switchable), output via RCA + headphone (3.5 mm)
- Sampling rate / Bit Depth16‑bit PCM, up to 48 kHz
- Frequency response~10 Hz to 20 kHz ±1 dB at 44.1 kHz; ~10 Hz to 22 kHz ±1 dB at 48 kHz
- Signal‑to‑Noise / Dynamic Range~89 dB A‑weighted for input; around 96 dB for output
- Input impedance (RCA)~27 kΩ unbalanced
- Output impedance~400 Ω (RCA line)
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Interface
Behringer UCA202 USB Audio Interface
Key Features
- 2 RCA line inputs (unbalanced), 2 RCA line outputs (unbalanced)
- TOSLINK Optical S/PDIF output (some sources describe it as “in or out”)
- 3.5 mm TRS jack with volume control
- USB‑powered (bus power), comes with fixed USB cable, class‑compliant (no driver needed on many systems)
- Max Sample Rate & Bit Depth16‑bit, up to 48 kHz
- Frequency Response~10 Hz to 20 kHz (±1 dB) at 44.1 kHz; up to ~22 kHz at 48 kHz sample rate
- Input Impedance ~27 kΩ; Output Impedance ~400 Ω; Max input/output level ~ +2 dBV
- Signal‑to‑Noise Ratio (SNR) & THDA/D: ~89 dB SNR; THD around 0.05% (at −10 dBV, 1 kHz
- Very compact; ~100 g; small footprint so very portable.
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Interface
Focusrite Clarett+ 2Pre Desktop 10×4 USB Type-C Audio/MIDI Interface
Key Strengths
- The Clarett+ preamps offer lots of headroom, low distortion, and low noise. The “Air” mode (analogue circuit, with impedance switching) emulates classic ISA‑110 preamp character — adds presence, clarity, especially in vocals and guitar.
- Supports up to 24‑bit / 192 kHz sample rates. Very good dynamic range (≈ 124 dB) and very low distortion. This helps capture and reproduce audio very cleanly.
- 2 analog inputs (mic/line/instrument) in front.
- Four balanced analog outputs for monitoring/mixing.
- ADAT optical input for digitally adding 8 more mic pre channels via a compatible expander.
- MIDI In/Out too.
- The unit has JFET instrument inputs to preserve the character of guitars, basses etc., similar to plugging into a guitar amp. Useful for direct input (DI) recording.
- Strong, flat-response headphone output, with good power. Low latency performance so you can monitor while using effects/plugins without major delay issues.
- USB‑C connectivity; can be bus‑powered (with a 15 W USB‑C port) for portability. Metal construction.
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Interface
Universal Audio Volt 276 Usb Audio Interface
Key Strengths
- Volt 276 has two mic/line/instrument preamps, each with a “Vintage” mode to get the sound character of the classic UA 610 tube preamp. Adds warmth, harmonics and coloration for vocals, guitars etc.
- It has an analog compressor circuit inspired by the legendary 1176. There are three preset modes (Voice, Guitar, Fast) to help tame dynamics and add punch, without needing extra outboard gear or plugins for basic use.
- Supports 24‑bit / up to 192 kHz sampling rate. That’s class‑leading in this price/I/O range. Good for clean, detailed recordings and for headroom in production.
- Two combo XLR/TRS (mic/line/Hi‑Z) inputs, two balanced monitor outs, headphone out, plus 5‑pin DIN MIDI in & out. Useful for small studio setups, guitarists, synths, etc.
- Powered by USB, which means less cable clutter, more portability. Works with Mac, PC, iPad/iPhone.
- It has zero‑latency direct monitoring, so when you record you can hear yourself in real time without perceivable delay.
- 48V Phantom Power So you can use condenser mics.
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Interface
Rode AI-1 USB Audio Interface
About the RØDE AI‑1
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Studio‑quality sound: Supports up to 24‑bit / 96 kHz recording and playback. That’s high enough for vocals, instruments, voice‑overs.
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Neutrik combo input (XLR + ¼‑inch): You can plug in a microphone or instrument through the same jack. Phantom power (48V) is included, so condenser mics work.
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Balanced monitor outputs + headphone output: Two balanced ¼‑inch monitor outputs, plus a separate headphone out with its own level control. Good for clean monitoring.
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USB‑C, bus‑powered, class‑compliant: No extra power supply needed; works plug‑and‑play with Mac/Windows without installing drivers.
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Rugged build, clean design: Sturdy aluminium body, satin black finish, rubber feet so it doesn’t slide.
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Software bundle included: Ships with USB cable plus a license for Ableton Live Lite to get started right away.
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Interface
Native Instruments KOMPLETE AUDIO 2 USB Audio Interface
Key Features
- Supports up to 24‑bit / 192 kHz sample rate. Good fidelity for recording vocals, instruments, overdubs, etc.
- Two XLR‑¼‑inch combo mic/line/instrument inputs (both with gain control + line/instrument switching). Allows you to record two mics simultaneously, or mic + guitar, etc.
- Provides phantom power for both inputs for using condenser microphones.
- Balanced TRS outputs for monitors, plus front headphone out with its own volume control. Helps with clean signal routing and good monitoring.
- Has a “mix” or blend knob to allow zero‑latency monitoring (blend input + computer playback). Useful when tracking to avoid lag.
- Dual 5‑segment LED input meters help visually monitor levels. Large output level knob. Nice build and usability touches.
- No external power supply required; gets power via USB. Easier for mobile setups or to move around.
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Interface
Native Instruments KOMPLETE AUDIO 1 USB Audio Interface
Highlights
- Support up to 24‑bit / 192 kHz A/D and D/A conversion. Good quality for vocals, instruments, podcasts, etc.
- One XLR input for microphones (with +48V phantom power) so you can use condenser mics.
- One ¼‑inch input that can handle line signals or instrument (Hi‑Z) inputs — guitars, etc.
- Stereo RCA monitor outputs for hooking up to hi‑fi speakers or monitors.
- ¼‑inch headphone output with its own level control.
- Bus powered over USB 2.0, no external power needed.
- Small form factor: ~ 140 × 117.5 × 52 mm and around 360 g.
- Separate gain knobs for each input.
- Dual 5‐segment LED input meters help you set levels better.
- Big volume knob for output makes adjusting monitoring levels easier.
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