Showing 196–210 of 469 resultsSorted by average rating
4.5″ long‑throw glass‑fiber woofer for tight, distortion-resistant low-mids.
1″ silk‑dome tweeter, coupled with Advanced Waveguide Technology, ensures a wide and stable listening sweet spot with smooth highs.
Max SPL: approx. 99 dB @ 1 m—the modest volume expected for compact monitors in near-field setups.
Front‑panel controls: volume knob plus shelving EQs providing high (±6 dB @ 12 kHz) and low (±6 dB @ ~70 Hz) adjustments.
Bluetooth pairing button on front for wireless stream connectivity.
Rear inputs: 2 × ¼″ balanced TRS, 2 × RCA unbalanced stereo.
Front inputs: 3.5 mm aux in and headphone output.
150 W total bi‑amp system delivering dedicated amplification to both the woofer and tweeter for dynamic clarity and minimal distortion .
Some listings specify 100 W per speaker, indicating regional marketing differences .
6.5″ long‑throw glass‑fiber woofer designed by Keith R. Klawitter (founder of KRK), offering tight lows and defined midrange .
1″ silk‑dome tweeter, paired with Advanced Waveguide Technology, ensures extended high-frequency detail and a wide, stable stereo imaging zone .
Frequency range: 40 Hz – 20 kHz, providing deeper low-end reach compared to smaller monitors .
Maximum SPL: ~101 dB @ 1 m, appropriate for near-field and small-to-mid room monitoring .
Rear-panel EQ switches for LF (~60 Hz), Room (~300 Hz), and HF (~8 kHz) with ±2/4/6 dB adjustment range, enabling tuning for room acoustics or subwoofer integration .
Independent limiters for woofer and tweeter help prevent clipping and overload damage .
Servo-balanced XLR, ¼″ TRS (balanced/unbalanced), and RCA (unbalanced) inputs, with gain trim for fine-level adjustment .
High-density composite bass-reflex enclosure, shielded to minimize diffraction and distortion in low frequencies .
“Planet Earth” universal power supply (100–240 V AC) for global compatibility and low-noise performance .
Dimensions: ~340 × 230 × 289 mm (W × H × D) (~13.4″ × 9.1″ × 11.4″) .
150 W Class‑D bi‑amplification, meaning there are dedicated amplifiers for the woofer and tweeter to maintain clarity and dynamic accuracy.
8″ long-throw glass‑fiber woofer, engineered for tight, distortion-resistant low frequencies.
1″ silk‑dome tweeter, offering smooth, high-resolution highs with good transient response.
Frequency response: 40 Hz – 20 kHz, extending deeper into the low-end compared to smaller monitors.
Maximum SPL: Approximately 102 dB @ 1 m, adequate for near-field mixing in small to medium-sized rooms.
Incorporates Advanced Waveguide Technology, designed by Keith R. Klawitter (KRK founder), delivering a wide and stable sweet spot for accurate stereo imaging.
Rear-panel EQ switches for LF (~60 Hz), Mid (~300 Hz), and HF (~8 kHz), offering adjustment in −6/−4/−2/0 dB steps to adapt to room acoustics or subwoofer integration.
Separate limiters for woofer and tweeter to prevent overload and preserve component longevity.
Servo-balanced XLR, ¼″ TRS (balanced/unbalanced), and RCA (unbalanced) inputs, ensuring compatibility with a broad range of audio interfaces and mixers.
Input trim control from −6 dB to +6 dB for fine gain staging.
High-density MDF enclosure with bass-reflex design, optimized to reduce diffraction and ensure clean low-frequency response.
Universal Planet Earth power supply (100–240 VAC, 50/60 Hz) for low-noise international operation.
Power consumption rated at roughly 40 W (typical), with maximum draw still covering the full amplifier output.
Dimensions: ~10.3″ × 15.5″ × 12.4″ (W × H × D) / ~26.1 × 39.3 × 31.5 cm.
150 W Class‑D bi‑amplification
5.25″ (or 5″) long‑throw glass‑fiber woofer, designed for tight, punchy low‑end with minimal deformation .
1″ silk‑dome tweeter, delivering smooth, high-resolution highs .
50 Hz – 20 kHz frequency response, approximating flat output across the audible range .
Maximum SPL ~100 dB @ 1 m, adequate for near-field mixing and small studio applications .
Rear-panel EQ switches for LF (~60 Hz), Mid (~300 Hz), and HF (~8 kHz), each offering adjustments in ±2/4/6 dB steps to adjust for room acoustics or subwoofer integration .
Separate limiters on both woofer and tweeter to prevent overload and enhance reliability .
Servo-balanced XLR, ¼″ TRS, and unbalanced RCA inputs, making compatibility broad and plug-and-play with various mixers, interfaces, and audio gear .
High‑density composite (MDF with PVC) enclosure with bass-reflex port—minimizes diffraction and enhances low‑frequency performance .
Planet Earth power supply, supporting 100–240 VAC globally, ensuring clean, noise‑free power and compatibility with international voltages .
Designed by Keith Klawitter, founder of KRK Systems, bringing decades of monitor-design expertise to this budget-friendly model .
Key Features :
* 5 g mini microphone
* 3-level Al noise cancellation
* 48 kHz/16 bit, 20 Hz-20 kHz, 80 dB SNR
* Plug-and-play with real-time monitoring
* 100 m line-of-sight
* 3 Voice Modes ( Uncle Voice , Baby Voice & Normal Voice )
* Up to 30- hour Battery Life
* For Andriod Type C and I Phone Receiver
Designed specifically for iPhones and iPads featuring a Lightning connector—not compatible with Android devices
Ultra-light transmitter: ~5 g including built-in mic
Audio specs: 48 kHz / 16-bit sampling, 20 Hz–20 kHz frequency range, SNR ~80 dB
Wireless range: Up to 100 m (about 328 ft) line-of-sight
Battery life: ~6 hours per charge; extends to ~30 hours with charging case (if included)
Noise cancellation: 3‑level AI noise reduction to help minimize background interference
Creative voice modes: “Deeper/Uncle Voice”, “Sweeter/Baby Voice”, and “Original” via double-tap control
Included accessories: Lightning receiver, magnetic charging cable, carry pouch, user manual; sometimes a charging case if bundled
The Boya Mini 17 is an ultra-compact wireless lavalier mic tailored for Android smartphones (USB‑C), weighing just 5 g (transmitter) with a plug‑in USB‑C receiver
Audio Quality: 48 kHz / 16‑bit sampling, frequency response 20 Hz–20 kHz, and signal‑to‑noise ratio around 80 dB
Battery Life: ~6 hours per mic; extendable to ~30 hours with the charging case (when available)
Range: Up to ~100 m (328 ft) in open environments
Noise Cancellation: Offers 3 levels of AI-based noise reduction (ideal for variable ambient conditions)
Creative Modes: Includes three “voice‑changer” modes (Deeper, Sweeter, Normal) for fun or stylistic recordings
Frequency Response: ~40 Hz–22 kHz (±3 dB)
Max SPL: ~104 dB peak at 1 m
Drivers:
6.5″ Slatefiber woofer
1″ inverted aluminum dome tweeter with waveguide
Amplifiers: Class D, 55 W LF + 30 W HF
Inputs: Balanced XLR, TRS, and unbalanced RCA; sensitivity switch (0 / +6 dB)
Room EQ: Shelving filters: ±6 dB at ~250–300 Hz, ±3 dB at ~4.5–22 kHz
Standby: Automatic power‑down after 15–30 min inactivity with manual override
Dimensions/Weight: ~33.9 × 26.1 × 28.9 cm; ~7.6 kg
Transducer type: Condenser, pressure gradient
Polar pattern: Cardioid
Frequency response: 20 Hz – 20 kHz
Sensitivity: 23 mV/Pa
Self-noise: Just 7 dB-A – among the quietest mics available
Max SPL: 138 dB (0.5% THD)
Output impedance: 50 ohms
Connector: XLR-3F (requires 48V phantom power)
Take your recordings to the next level with the PreSonus Studio 24c, a 2-in/2-out USB-C audio interface designed for musicians, podcasters, producers, and content creators who demand professional audio quality in a compact and rugged package.
Dual EVS‑15K 15″ woofers paired with a 1.5″ DH‑1K titanium HF compression driver, offering extended low-end punch and clear highs.
Frequency range: ~38 Hz to 20 kHz (–10 dB); 62 Hz to 18 kHz (–3 dB)
Sensitivity: 96 dB; Maximum SPL: up to 137 dB ideal for loud, demanding venues.
Power handling: 600 W continuous, 2,400 W peak
Coverage pattern: 90° horizontal × 50° vertical waveguide for wide audience dispersion.
Load impedance: nominal 4 Ω, minimum 3.7 Ω; Crossover at ~1.7 kHz
Enclosure: 15 mm, 9‑ply internally‑braced plywood, black textured finish, built for durability
Dimensions & Weight: ~1,154 × 432 × 501 mm (45.4″ × 17.0″ × 19.7″); net weight ~40.7 kg (≈90 lb) each
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