PreSonus Eris E7 XT Active Studio Monitor Pair


Key Features

  • 6.5″ Woofer and 1.25″ Silk Dome Tweeter
  • 104 dB of Precise Sound in Any Location
  • EBM Waveguide for a Wide Sweet Spot
  • Control Level, HPF, MF Trim, and HF Trim
  • XLR, 1/4″ TRS, and RCA Connections
  • HPF, MF, HF & Acoustic Space Filters

 185,000

The PreSonus Eris E7 XT is another excellent active studio monitor from PreSonus’s popular Eris XT series. It slots in between the smaller E5 XT and the larger E8 XT, offering a fantastic balance of size, bass response, and accuracy for a variety of studio environments, particularly medium-sized rooms.

Like its Eris XT siblings, it’s designed for critical listening during music production, mixing, and mastering, featuring built-in amplification and extensive room-tuning capabilities.

Key Features and Highlights:

  • 6.5-inch Woven Composite Low-Frequency Driver: The Eris E7 XT features a 6.5-inch woven composite woofer. This size provides a good balance between bass extension and transient response. The woven composite material ensures tight, accurate bass and mid-range reproduction with minimal distortion.
  • 1.25-inch Silk Dome High-Frequency Driver: It’s equipped with a 1.25-inch ultra-low-mass silk dome tweeter. Silk dome tweeters are renowned for their smooth, natural, and non-fatiguing high-frequency response, which is crucial for long mixing sessions and preventing ear fatigue.
  • EBM (Elliptical Boundary Modeled) Waveguide: This is a key feature carried over from the other XT models. Designed by Hugh Sarvis, the EBM waveguide significantly improves the off-axis response and widens the “sweet spot” (the optimal listening position). This allows for more freedom of movement in your studio without losing critical stereo imaging and detail, and also helps to reduce reflections from your desk. The dispersion is typically 100° horizontal by 60° vertical.
  • Front-Firing Acoustic Port: The front-firing bass port allows for more flexible placement options, including closer to walls, compared to rear-ported designs, without introducing as much low-frequency buildup. This design also contributes to its impressive bass extension for its size.
  • Bi-Amplified Class AB Design: Each Eris E7 XT monitor is bi-amplified with separate Class AB amplifiers for the woofer and tweeter, providing efficient power delivery and reduced distortion.
    • Total Power: 130 watts of Class AB power (75 watts for the LF driver, 65 watts for the HF driver). This provides ample power for robust and dynamic mixes.
    • High SPL: Capable of producing a maximum continuous SPL of 104 dB, which is more than sufficient for nearfield monitoring in most home and project studios.
  • Wide Frequency Response: The Eris E7 XT offers a frequency response from 42 Hz to 20 kHz. This is a very respectable range for a 6.5-inch monitor, providing a solid low-end foundation for mixing most genres, and only needing a subwoofer for extremely critical sub-bass analysis or in very large rooms.
  • Extensive Acoustic Tuning Controls: A major selling point of the Eris series, these controls allow you to optimize the monitor’s performance for your specific room acoustics:
    • Acoustic Space: A three-way switch (-4 dB, -2 dB, Flat) to compensate for boundary effects (bass buildup) when speakers are placed near walls or in corners.
    • High-Frequency Trim: Adjusts frequencies above 10 kHz (±6 dB).
    • Mid-Frequency Control: Adjusts a 2-octave wide band centered at 1 kHz (±6 dB).
    • Low-Cut Filter (High-Pass Filter): Offers Flat, 80 Hz, or 100 Hz settings. Essential for integrating a subwoofer smoothly by rolling off the low frequencies sent to the main monitors.
  • Versatile Inputs: The E7 XT provides comprehensive input options for connecting to various audio sources:
    • Balanced XLR
    • Balanced 1/4″ TRS
    • Unbalanced RCA
  • Protection Circuitry: Built-in safeguards against RF interference, output current limiting, over-temperature, turn-on/off transients, and a subsonic filter.
  • Software Bundle: Typically includes the Studio One Prime DAW software and the Studio Magic Software Suite, adding significant value with a collection of third-party plugins, virtual instruments, and tutorials.
  • Robust Construction: Features a durable, vinyl-laminated MDF cabinet with internal bracing to minimize resonances and ensure longevity.

Who is the PreSonus Eris E7 XT for?

  • Home and Project Studio Owners: Perfect for those needing accurate monitoring with good bass extension in a medium-sized room.
  • Music Producers & Engineers: Provides a reliable and detailed listening environment for mixing and mastering.
  • Songwriters & Composers: Ideal for tracking and arranging, offering a clear representation of their music.
  • Content Creators: For high-quality audio editing in video production, podcasting, and streaming.
  • Users Upgrading from Smaller Monitors: Offers a noticeable step up in bass response and overall clarity from 5-inch or smaller monitors.

Comparison to Eris E8 XT:

The E7 XT is very similar to the E8 XT, with the primary differences being:

  • Woofer Size: 6.5-inch vs. 8-inch.
  • Frequency Response: E7 XT goes down to 42 Hz, while E8 XT goes deeper to 35 Hz.
  • Overall Power/SPL: E7 XT has 130W total (104 dB SPL max), while E8 XT has 140W total (105 dB SPL max). The E8 XT will inherently be able to push a bit more air and go louder/deeper.
  • Size and Weight: The E7 XT is more compact and lighter, making it easier to fit into smaller spaces or onto desktop stands.
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